How to make a whole product catalogue look consistent
How e-commerce studios make hundreds of photos look like one shoot, and the parts of their method a one-person shop can copy.
How e-commerce studios make hundreds of photos look like one shoot, and the parts of their method a one-person shop can copy.
Fix everything that can change: a phone on a stand that never moves, the same zoom and exposure, one light from the same place, and tape marking where the product and the tripod go. Write that setup down, edit one photo and copy its edits to the rest, and check the whole set side by side before you upload.
Shoppers judge a shop by its grid of photos before they read a single listing. When every product is lit the same way, on the same background, at the same size in the frame, the shop looks like a brand. When every photo is different, it looks like a collection of second-hand listings, even when the products are good.
Professional e-commerce studios photograph thousands of products a week and make them look like one shoot. Their method is simple and doesn’t depend on expensive gear. Everything that can change between photos is fixed, measured and written down. Pixelz, a product-photo studio, puts it as using exactly the same studio setup, lighting and camera settings for every single shot.
The first rule is the one most often broken. Once the phone is set up, don’t move it.
Studios tape the floor where each light and tripod stands, and photograph and measure the whole setup so it can be rebuilt exactly. Do the same at home:
The iPhone’s camera adjusts itself for every frame. That is good for holiday photos and bad for a catalogue, because a dark product and a light product come out at different brightnesses and a slightly different white.
Daylight is free and lovely, and it changes all day. One of Adobe’s product photographers avoids it for product-only shots for exactly that reason: it changes too quickly. Two ways to deal with it:
Decide once how much of the frame a product fills, and where it sits, then hold every photo to it. Studios standardise dimensions, aspect ratio, margins and framing rules, and align products against a shared template so they sit at the same height in a grid.
A style guide is the setup written down so anyone, including you in six months, can rebuild it. Keep it short:
| What | Write down |
|---|---|
| Setup | A photo of it, with the tape marks, distances and heights |
| Camera | Which lens, zoom and exposure setting |
| Light | Window or lamp, time of day, where the fill card goes |
| Framing | Aspect ratio, fill, position, margins |
| Shot list | Which photos each product gets, in what order |
| Edit | The preset or edits applied to every photo |
| Files | Size, format and how files are named |
Studios review their style guide a few times a year. When a new kind of product doesn’t fit, update the guide rather than making an exception.
tote-bag-navy-01.jpg. Consistent names make uploading easy and mistakes easy to spot.Stensa’s product sets are this guide’s method built into the camera. Each product gets the same short shot list. Every product after the first is shot at the first one’s zoom, colour and angle, with that first photo laid over the camera as a ghost to match. The whole set exports as named, square photos in one go. Shelf Row, In a Row and Product Grid keep group shots lined up the same way every time.
This guide draws on these. They go further than we do here.